Producer and Dj since 2001, Lao works with recontextualized classic sounds that are interwoven with local sounds to create avant-garde dance pieces that rethink his identity. He is a member of the NAAFI label, and head of his own label Extasis Records. He was part of the 2014 Red Bull Music Academy generation in Tokyo. He has participated in campaigns for Native Instruments (global), Corona, Smirnoff (global) and Nike among others. He has produced for Gaika, Mc Bin Laden, Tomasa Del Real, Santa Bandida, Fuete Billete, FNTXY, Yoga Fire, Linn Da Quebrada, Nick Hook, Denise Gutierrez, Missil, Speak.

 

In 2018 he did remixes for Fever Ray and Interpol, he also won the NTS Radio x Sonos International Knockout Cup and presented a hybrid live show at MUTEK.MX.

 

 

 

NICK HOOK is a Brighton based DJ/producer with many releases on top labels such as Zulu, Whartone, Distinctive, FFRR, Whore House, Om & Whoop!, he has DJ'd all over the UK and abroad, including headline gigs at major venues & he runs Jeepers! Music.

Nick Hook began his DJ/producer career back in the early days of the house music revolution.

Since then he has produced more than 160 tracks and remixes, which have been released on some of the biggest house music labels, including FFRR, Zulu Records, Whartone, Hed Kandi, Whore House, Whoop!, Distinctive, Loaded, Housesession, Jeepers!, Motion, React, Om, Renaissance, Phonetic, AATW, Dojo, Limbo, Stress and DMC.

 

 

 

Swiss artist Shayu, The young Zurich-based producer presents "Liàng", a collection of four intimately intertwined works reflecting on a profoundly inspiring work trip to China in 2011. Thanks to her classical piano background, Shayu crafts beautiful melodies loaded with emotion and supported by homemade modular synthesizer samples, bold drum patterns and field recordings.

 

 

 

3ASiC, an electronic music producer from Nanjing, now residents in the Netherlands. Having founded party organisation Nanking Electro and music label Project Sync, he participated actively into underground music scene in China since 2013 and have achieved great success in his home country China. Not only giving special show in many cities’ underground clubs in every part of China, but also becoming a regular guest of music festivals, and he also has lot of experience supporting international artists. He has been supported by varying music websites and platforms, such as Kanjian Music, Xiami, Netease, and SmartSH. His track “Jelly” which released in 2015 was supported by the most famous international bass music Youtube Channel - Bass City. In the beginning of 2017, he was recommended by Soi Music as the Top 10 must-listen Asian producers. Currently he’s trying to make a next step, not only in China, but came to Netherlands to show his talent to more people who unaware. Apart from Sound Arts, he is now working on an unprecedented Art performance which combines Sound and Visual.

 

 

 

XHANKONKON is a DJ, Producer & Promoter who graduated from an Art Academy, and is a member of Functionlab - the most neurotic electronic music label in Hangzhou.

In his DJ set, XHANKONKON often uses industrial Techno, EBM, Hard Core and some other Niche music or Extreme music to make a powerful roar.

In 2018 he released his personal EP "查找失败" in Hangzhou Functionlab and released the single "Digital Pigs" in Functionlab’s compilation "Functory 02".

At present, XHANKONKON is based in Shenzhen. In 2019, he founded the party label "AGEUSIA", which is dedicated to the development and exploration of the music scene in Shenzhen.

 

 

 

Warmchainss, part of OIL club crew , having started her DJ career just earlier this year, she has already shared stages with Murlo，Mina，Mala，Jesse Osborne-Lanthier，Schwefelgelb (Asian Dope Boys) ，Dis Fig (ADB),King Toxe,Fractal Fantasy, Rabit, Ledef just to name a few, and already made guest appearances for Swiss music platform 1.1 and Hong Kong Net Radio Station HKCR. Her DJin’ style, self proclaiming as ‘a conflation of soft melodies and relentless rhythms’, refuses to resolute in fixation of genres and musical tropes.