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《丝路之乐·唐韵回响》音乐会简介

Introduction to the “Music Along the Silk Road · Echoes of the Tang Dynasty” Concert

音乐会概况

Overview

中国古代音乐史常被称为一部"无声的历史"。我们的音乐通史和教科书多停留在理论层面，至今人们仍难以知晓中国古代音乐的真实声响。这种独特的文化境遇，在欧美、日本、印度等音乐传统延续的地区未曾出现。难道中国古代没有音乐舞蹈吗？显然并非如此——史书典籍中的礼乐记载、出土文物上的乐舞图像、佛教洞窟里的伎乐雕塑，无不展现着丰富灿烂的音乐文化图景。

The history of ancient Chinese music is often described as a "silent history." Our general music histories and textbooks largely remain theoretical, and the true sound of ancient Chinese music remains elusive. This unique cultural situation is unseen in regions with continuous musical traditions like Europe, America, Japan, or India. Does this mean ancient China lacked music and dance? Clearly not – records of ritual music in historical texts, images of music and dance on unearthed artifacts, and musician-sculptures in Buddhist grottoes all vividly depict a rich and brilliant musical culture.

造成这种"无声"现象的主要原因有三：古代乐器形制的历史断层、传统乐谱的大规模流失、音响传承体系的断裂。直到二十世纪，敦煌藏经洞重现了唐代乐谱抄本，日本正仓院保存的8世纪唐代乐器陆续完成复制，丝路沿线石窟壁画与出土文物中的乐舞造型不断被破译。经过近一个世纪的研究探索，唐代音乐的神秘面纱正在被现代学者层层揭开。

This "silence" stems primarily from three factors: the historical disruption in the form of ancient instruments, the large-scale loss of traditional music scores, and the breakdown of the audio transmission system. It was not until the 20th century that Tang Dynasty music score copies reappeared in the Dunhuang Scripture Cave, 8th-century Tang musical instruments preserved in Japan’s Shōsōin Repository were successively replicated, and music and dance motifs in grotto murals and unearthed relics along the Silk Road were continuously deciphered. After nearly a century of research and exploration, the mysterious veil of Tang Dynasty music is being gradually lifted by modern scholars.

艺术特色

Artistic Features

本场音乐会是以历史原貌复原为宗旨的唐代音乐重构工程。基于二十世纪以来数代学者的古谱译解成果，通过复原古代乐器与历史文献研究，构建多元化的舞台呈现。为重现千年前唐韵，我们摒弃现代音乐创作手法，严格依据现存古谱的旋律框架与节奏规律进行学术性编配，力求达到"乐史互证"的艺术效果。

This concert is a Tang Dynasty music reconstruction project aimed at restoring the original historical appearance. Based on the achievements in ancient score transcription and interpretation by generations of scholars since the 20th century, it constructs a multifaceted stage presentation through the restoration of ancient musical instruments and historical document research. To recreate the elegance of the Tang Dynasty a thousand years ago, we abandon modern music creation techniques and adopt academic arrangements strictly in accordance with the melodic framework and rhythmic rules of existing ancient scores, striving to achieve the artistic effect of "mutual verification of music and history."

现场将通过三重维度构建历史声场：敦煌古谱解译的旋律线、正仓院乐器复原的器乐群、石窟壁画考证的乐队编制。多媒体技术运用高精度复刻的造像与壁画，构筑出三维动态的盛唐乐舞空间，使观众沉浸于唐人"琴瑟在御，莫不静好"的审美意境。这场实验性历史音乐重构，或将开创中国古代音乐音响数据库建设的先河，为学术界提供可资借鉴的声学样本体系。

The live performance will construct a historical soundscape through three dimensions: melodic lines deciphered from Dunhuang ancient scores, instrumental ensembles reconstructed from Shōsōin instruments, and orchestra formations verified by grotto murals. Multimedia technology uses high-precision reproductions of statues and murals to build a 3D dynamic space of Tang Dynasty music and dance, immersing the audience in the aesthetic realm of the Tang people — "with qin and se zithers playing, all is peaceful and serene." This experimental historical music reconstruction may pioneer the construction of an audio database for ancient Chinese music, providing a reference acoustic sample system for the academia.

曲目单 Repertoire list

• 碣石调·幽兰 Jieshi Diao · You Lan
• 急胡相问. Ji Hu Xiang Wen
• 伊州 Yizhou
• 水鼓子 Shui Gu Zi
• 急曲子·I Ji Qu Zi · I
• 长沙女引 Changsha Nv Yin
• 急曲子·II Ji Qu Zi · II
• 又慢曲子·西江月 You Man Qu Zi · Xi Jiang Yue
• 急曲子·III Ji Qu Zi · III
• 倾杯乐 Qing Bei Yue
• 石上流泉 Shi Shang Liu Quan

*最终曲目以现场为准

*Final program is subject to change.