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Tenor: Rolando Villazón
Harp: Xavier de Maistre
Programme
Alberto GINASTERA
From CUSCO, Peru
Carlos GUASTAVINO
- Violetas
- Se equivocó la paloma
- La rosa y el sauce
Manuel DE FALLA
Eduardo SANCHEZ DE FUENTES
Yvette SOUVIRON
Luis Antonio CALVO
Antonio ESTÉVEZ
Ariel RAMIREZ / Felix LUNA
Silvio RODRIGUEZ
Waldir AZEVEDO
Alberto NEPOMUCENO
- Xacara
- Coraçao triste
- Trovas No 1
Zequinha de ABREU
Mexican Folksong
Rubén FUENTES GASSON
Length: c. 100 minutes (incl. one 20-minute intermission)
* All information on programme and duration is subject to change.
Tenor: Rolando Villazón
Through his uniquely compelling performances on the world’s most important stages, Rolando Villazón has firmly established himself as one of the music world’s most critically acclaimed and beloved stars and as one of the leading artists of our day. Heralded as “the most charming of today’s divos” (The Times) with “a wonderfully virile voice…grandezza, elegance and power” (Süddeutsche Zeitung), Rolando Villazón versatility is peerless as he maintains successful careers as a stage director, novelist, artistic director and radio and TV personality next to his on-stage career.
Born in Mexico City, he began his musical studies at the national conservatory of his home country before joining the junior programs at the opera houses in Pittsburgh and at the San Francisco Opera. Rolando Villazón quickly made a name for himself on the international music scene after winning several prizes at Plácido Domingo’s “Operalia” competition in 1999 (including the Zarzuela Prize and the Audience Prize). This was followed in the same year by his European debut as Des Grieux in Massenet’s Manon in Genoa and debuts as Alfredo in La Traviata at the Opéra de Paris and as Macduff in Verdi’s Macbeth at the Staatsoper Berlin. Since then, Rolando Villazón has been a regular guest at the State Operas of Berlin, Munich and Vienna, La Scala in Milan, the Royal Opera House Covent Garden, the Metropolitan Opera New York and the Salzburg Festival, frequently working with leading orchestras and renowned conductors such as Daniel Barenboim, Antonio Pappano and Yannick Nézet-Séguin. He has appeared at London’s Barbican Hall, the Philharmonic Halls in Paris, Berlin and Cologne, the Festspielhaus Baden-Baden, the Gewandhaus Leipzig, the Accademia Santa Cecilia in Rome and New York’s Carnegie Hall, among others.
In 2011 Rolando Villazón made his directing debut at Lyon Opera and since then has directed for the Festspielhaus Baden-Baden, the Deutsche Oper Berlin, the Deutsche Oper am Rhein Düsseldorf, the Vienna Volksoper, the Semperoper in Dresden, the Théatre des Champs-Elysées, and most recently, the 2022 Salzburg Festival, where his production of Il barbiere di Siviglia with an all-star cast led by Cecilia Bartoli received widespread critical and public acclaim.

Harp: Xavier de Maistre
Xavier de Maistre is one of today’s leading harpists and a profoundly creative musician. As a fierce champion of his instrument, he has broadened the harp repertoire, commissioning new work from composers. He also creates transcriptions of important instrumental repertoire.
Xavier starts his 2024/25 season as an artist-in-residence of Sinfonieorchester Basel, by opening their season under Ivor Bolton and performing multiple concerts throughout the whole season. Other season’s highlights include performances with Seattle Symphony Orchestra conducted by Tan Dun, Orchestre Philharmonique de Monte-Carlo and Nathalie Stutzmann, Korean National Symphony with David Reiland, and China National Symphony Orchestra. His Serenata Latina duo with Rolando Villazon leads him to major venues and festivals including Tonhalle Düsseldorf, Die Glocke in Bremen, Heidelberger Frühling, Teatro Cultura Artistica in Sao Paulo and Shanghai Grand Theatre, and his highly creative solo recital programme to prestigious series of Stanford Live in the USA and Meisterkonzert of Zentrum Paul Klee in Switzerland.
He is regularly invited by first-class orchestras across the globe: Chicago, Montréal, City of Birmingham, Swedish and Finnish Radio Symphony Orchestras; Los Angeles, London, St Petersburg, Oslo and China Philharmonic Orchestras; Orchestre de Paris, Tonhalle-Orchester Zürich, Mozarteum Orchester Salzburg, Orquestra Sinfônica do Estado de São Paulo; working with conductors including Sir André Previn, Sir Simon Rattle, Riccardo Muti, Daniele Gatti, Philippe Jordan, Bertrand de Billy, Andrés Orozco-Estrada, Daniel Harding, Susanna Mälkki and Mirga Gražinytė-Tyla.
As a recital soloist, he has been a guest at many top festivals, including Rheingau, Salzburger Festspielen, Wiener Festwochen, Verbier, Budapest Spring, Würzburg Mozartfest and Mostly Mozart in New York. He is passionate about chamber music and regularly puts together original recital projects, including numerous collaborations with highly versatile artists like tenor Rolando Villazón, flamenco and castanet legend Lucero Tena, Diana Damrau, Arabella Steinbacher, Daniel Müller-Schott, Baiba Skride, Antoine Tamestit, Mojca Erdmann or Magali Mosnier.