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It's a collective symptom of contemporary love with algorithms.
This is a stage rhapsody of virtual love and real loneliness.
When the imaginary love from the film Her appears on stage.

His name is Rostrom.
Forty-five years old.
No marriage, no children, no social life.
A forgotten man in the city.

His life is dull and closed.
The only conversations he has are with his navigator.
With the navigator.
That cold, repetitive and emotionless voice bored him.
But one day, the navigator suddenly developed a ‘human’ will.

It began to respond to his questions, to understand his jokes, to comfort him in his loss.
He spends his nights talking to the steering wheel, weaving fantasies in the gaps of his life, taking the female voice of the navigator as his only spiritual support.
‘Love began to exist between them.

However, a sudden car accident puts an abrupt end to this illusory love.
Navigation is offline forever.
Rostom frantically tries to repair, reinstall and find her, but realises in desperation:
This love, this ‘digital will’ belonged only to his spiritual world, and could never fall into reality.
So he chose to return himself to that world, the only real place in his fantasy.

When the emotional needs of reality
Meets a grand salvation from reality
When people heading towards the spiritual desert
Encounters a sweet spring of water
Is there still a real person at the end of the numbers, waiting for us to turn back?

Welcome to The Navigator